4.30.2006

glass house

Analog
On Thursday night a friend of mine invited me out to see You Aren't My Mother play at The Glass House Gallery in Williamsburg. The Glass House Gallery is a pretty awesome ever-changing collage sculpture that you can walk around in which also hosts music and "art jams".
You Aren't My Mother
You Aren't My Mother sound a bit like Godspeed You Black Emperor! but with lyrics and without percussion (yet). I liked them quite a bit. I hate to simply sum them up like that because it seems dismissive and lazy, but there we are.

Prior to YAMM's set a couple of noise acts performed. First up was Harm Stryker (warning: myspace) who played for about ten to fifteen minutes. Two people twiddling with various pieces of electronic equipment feeding back into each other without discernable rhythm or melody. It was interesting but I just never get much of anything out of the experimental noise stuff. Dead Girls were up next. They were another duo, this time with one guy on a drums and another guy on noise equipment. Dead Girls' set held my interest more than Harm Stryker but was similarly chaotic. The drumming added elements that were sorta free jazzish and the phrase that popped into my head while they were playing was "it sounds like the end of the world".

I feel like an old man during noise band performances sometimes.

Supposedly next week's Seize Them! practice will feature our brand new bassist, a guy that René dug up. I'm excited. We have four weekends to teach him our songs before The Big Party in June. Also, it looks like we have a third new song with two more from Jeff coming down the road. After the new guy gets broken in I'll be back to recording The Album in earnest.

4.18.2006

spring

Hell Gate Bridge

I think I've found my favorite spot in Astoria Park. Sunday featured weather just about as close as possible to perfect and I sat out there for a few hours reading and listening to music.

4.14.2006

come on people now

There are some interesting things happening.

I'm very excited by the recent surge in the Immigrant Rights movement (so called). This is a massive polity and, though it's probably insulting to consider all the participants as a monolith, I can only hope the energy gathers and results in a radical political shift for the whole country. Already there are frightening racist noises coming out of the Right, at least if Bill O'Reilly can be taken as exemplary, about how supporters of Immigrant Rights, "the real racists who want a color-based country", are seeking to destroy "what they call the white privileged Christian nation". Xenophobia is tapped for CRAZY mana.

Those of you not local to New York City might be unaware of this, but there's a growing push to give a vote in city elections to documented non-citizens who have been residents for at least six months. I fully support this. The borough of Queens, where I live, has one of the largest immigrant populations in the entire United States and they've come from all over the world. Africa, Asia, The Caribbean, Central and South America, India, The Middle East, Europe and elsewhere. Local elections can have more impact on a given person's quality of life than any other, state or federal, and New York City is quite possibly unique among US cities in the sheer amount of resources available to the city government. In our supposedly globalizing society, isn't citizenship more meaningfully defined by participation in a society rather than an accidental intersection of birth and cartography? Anyone who works and creates and hurts and struggles and cries and shouts with joy and falls into bed at night in New York City is a New Yorker, and can you think of anyone better to run the place?

France stands as an example again of a culture that has some actual political life to it, as massive nationwide demonstrations against the CPE have resulted in at least nominal concessions from the government. I see paralells to the Transit Worker's Union strike down here last December. From the point of view of those unconcerned with the condition of the laboring classes both actions can appear to be excessive noise from people in an already relatively privileged position. On face value the CPE is creating jobs for "youth" in France, so how could that be bad? The devilish compromise, of course, was to make effectively second-class citizens out of young laborers as an incentive for businesses to hire them. And if they become such, doesn't that become incentive to unload an older, expensive labor force in favor of a cheaper, more pliable one? Why shouldn't young workers enjoy the same rights that have been won for their elders? Much as with the TWU strike, the necessity lies in retaining the few rights and protections remaining after decades of successful worldwide assault by capital. It has been remarked that it's sad to see such public political energy exerted merely to retain the status quo.

China is rumbling around a bit as well. China, much like the US, has a huge migrant labor pool (though the Chinese have enough dirt poor people within their own borders that they don't need to import any) working for pittance wages and living in squalid group housing in order to improve the lot of their family back home. As in the US, massive sectors of the economy rely on a flood of cheap laborers with no political rights. These people are not stupid. They have lived their entire lives under a government that preaches a flavor of Communism and the worth of The People, and the government's economic shift to State Capitalism after 1989 was radical enough to have caused, by now, cognitive dissonance in even the most undereducated field hand. There are tens of thousands of incidents every year in rural China featuring the people facing off against the government as economic disparities increase. If history teaches anyone anything it is that you ignore the the Chinese peasantry at your peril.

Tiananmen Che

If only there were some kind of technology that allowed all these groups of people to communicate and possibly organize to further common goals! Speaking of which I was thinking again about Yahoo and Google and Cisco and Microsoft and their recent activities aiding and abetting repression in China (and, as an aside, AT&T facilitating the NSA-related technical difficulties we are experiencing) and I think my attitude is now this: these companies are the epitome of a technocratic culture and, as such, made the decsion one would expect of a self-aggrandizing technocracy. What else did we really expect? After all Colombian Coca-Cola employees have a habit of turning up dead after agitating for improved conditions, so it's not like the tech companies are doing anything unique to their industry.

On the plus side? GENERALS ARE ALL "U=pwn3d, L@M3R" TO RUMSFELD. Right the hell on.



On the recommendation of a certain ninja (definitely NOT the kind that would be captured by ATF agents on the UGA campus) I picked up J Dilla's record "Donuts" and Madlib's Beat Konducta disc. Both are excellent. I have just now heard, on the Jaylib track "Strip Club", the use of a Jaco Pastorius sample that I've always wanted to do something with.

4.07.2006

your name here and there and up there too

Graffiti Research Lab keeps on with the innovation and instruction with their LED Throwies and the extension thereof, the Night Writer project.

These folks are awesome and I hope I see more of their work around town.

4.06.2006

kaboom

I would direct all of you to Joshua Ellis' article/essay Dark Miracle recounting his trip to the Trinity site where the first atomic weapon was tested. It's a nice piece of writing and I pat myself on the back for donating some dollars to this exercise in netizen-funded journalism.

The success or failure of this particular model of independent media is as-yet undetermined, but experimentation is important so I encourage you to check it out.

4.03.2006

west

The West Wing is coming to a close. I've usually enjoyed watching it, though I mostly lost interest after Aaron Sorkin left. This season grabbed my attention again what with it being (I believe) the last season, and also Election Time in both the paralell universe of the Bartlett Administration and that of our real world counterpart. A segment of America has been escaping into the idealized presidency of Jed Bartlett for many years now and it's not difficult to understand why.

Some, I suppose, might find it odd that America's beloved shadow President is, in his fictional-television world, far more 'reality based' than his consensus-reality counterpart is revealed to be on our reality-tv news.

Character arcs are resolving themselves in a satisfying manner, and so far I believe will be impressed by the handling of John Spencer's death. I also believe I will be rather bugged out by the incorporation of footage shot at the actor's actual funeral intended to be read as scenes from that of Leo McGarry.

And though it's difficult to write in a manner that doesn't clank occasionally, I appreciate their efforts in these final episodes to blaze through a summary education in how media is employed by government. The thorough argument-by-example of why massive voter turnout is vital in the '06 election is a welcome stab at public service. Finally, and most importantly, JOSH AND DONNA FINALLY DID IT OMG. Seriously.


The past weekend was spent experiencing bachelor entertainment in Las Vegas on behalf of my good friend Ethan Beigel. I would be curious to know on what he is credited as "Eithan Beigel" because, let me tell you, the man is not Irish. And not even fake Irish.

I would most likely choose not to stay at the Palmswarning: flash again. The rooms are fine and I'm told that the new tower is a very nice night's lodging indeed. But it's juuuust a little too far off the Strip for it to be reachable other than by taxi, and it is (for better or worse) the definitive MTV hotel/casino.

part of the show

hardly knew ye

Unfortunately, it appears the webcomic A Lesson Is Learned But The Damage Is Irreversible has come to an end a mere two weeks after I first discovered it. The upside, I suppose, is that you can read the entirety of the back catalog in less than an hour.

Hopefully we'll see more out of those guys.

UPDATE: HA HA I've been fooled. April fooled. The comic is not over. Silly me.

3.27.2006

why we fight

I just finally got around to seeing Eugene Jarecki's documentary Why We Fight. It's a film I'd been wanting to see ever since I heard about it, but various circumstances demotivated me from seeing it until this very day. However, this is a movie I believe will survive for a long time so I suppose there's no real rush.

Why We Fight is, in my opinion, as successful a contemporary document of the reality of being an American as any that has ever been made. It's the movie I think a lot of people hoped Fahrenheit 9/11 could be.

why we fight website screengrab

I realized recently that I had been deliberately avoiding watching anything containing footage from September 11, 2001. I, like many people, got so sick of not being able to turn around without seeing the World Trade Center towers crumbling into dust that watching it deliberately seemed ridiculous. It reads as silly to me to state that Why We Fight presents the event in a "tasteful" manner, but it's an accurate statement. But it's also a dry assessment and the truth is that Jarecki's facility with the power of the material moved me greatly. This is not to detract from Michael Moore's elegant solution to the problem which was, in fact, probably the most skillfully cinematic moment in his entire film. I have my hopes that Christopher Seward, an editor I briefly met recently, had a large part in creating that sequence. The point of the exceedingly long paragraph above was to say that if you have had a similar aversion in the past, I suggest not only that you should overcome it for this film but you will be greatly rewarded for doing so.

So thank you very much to Eugene Jarecki.


Also, hilarity on tonight's The Daily Show's dissection of Fox News' coverage of the Daytona Beach Serial Killer story.


Also also, I feel compelled to toss a large neon WTF? at Sharon Stone for being so gung ho for Basic Instinct 2. If I recall correctly she complained loudly and widely about how her trust and genitalia were exploited in the original Basic Instinct.


Lastly, holy awesome to the hundreds-of-thousands-strong marches across the United States in support of undocumented immigrants.

3.24.2006

euro zero zero on flickr

One more step... stepped.
After many hours of prep work I have uploaded the Euro Zero Zero pictures to flickr.
Enjoy.

3.23.2006

dick dick dick dick dick is a killer

Okay, this is totally awesome. The folks at Graffiti Research Laboratories have created an excellent video HOWTO explaining the process of embedding LEDs into works of graffiti. If nothing else the sountrack to video alone is worth hearing.

Thanks to BoingBoing and YouTube.

solar powered rock n' roll revolution

First of all, Classy Dames & Able Gents has updated, this time translating everyone's favorite game, Mornington Crescent, into comic form.

I'm happy to see, via the Foresight Nanotechnology Institute's email newsletter, that OrionSolar has been given one million dollars in venture capital to assist them in producing their totally awesome nanodot-dye-based flexible solar power sheets which may wind up producing solar power for about $.70 per peak watt. That, friends, is CHEAP solar power these days. I want these guys to succeed for many reasons, not the least of which is my dream to travel the world making a documentary about how to make communities sustainable while charging my various media electronics with a light, cheap, flexible solar power source. I actually wrote to OrionSolar back when I first heard of them to see if they'd be interested in sponsoring such a venture by kicking me some product, but they informed me that, regrettably, they did not have anything in production just yet.

Met up with 2/3 of Boss Tweed to discuss their upcoming european tour and how the video footage I shot might help them in that endeavor. We also tossed some talk around about doing a music video, so we'll see what might go forward with that. Man, it'd be fun. After the "meeting" I checked out Warren Malone, a very good singer-songwriter, at a small gig he was playing at the grandiosely named yet tiny Allen Street club the Rockwood Music Hall. Excellent stuff. Interesting encounter with a waitress, too. She brought me my $5 bottle of beer and then, when I paid her, informed me that her "livelihood was based on tips so anything I could spare would be great". I hesitated and then handed her the dollar I'd been planning on leaving on the table like a typical tipper would. I'm pleased she enlightened me about this arcane practice of... tipping, is it called? and I'll endeavor to help out the city's waitstaff in future.

Otherwise, Seize Them! practice is on a mini-hiatus due to various members being out of town on upcoming weekends, but we'll have to get back at it with a vengeance in April if we want to be totally kickass for the giant party we're throwing in June. Also, WE NEED A BASS PLAYER, people. Please.

V for Vendetta, a story that I have loved for a long time, was actually made into a more than decent film. See it.

3.17.2006

dorkery

Here's the equipment list of stuff I used for the recent Boss Tweed shoot:

Cameras - 2 Panasonic AGDVX100s and 1 Sony PD150
Audio Recorder - Apple Macintosh Powerbook, G4 800MHz processor, 1GB of RAM, using Garageband to capture
Audio Interface - Presonus Firepod
Microphones - 2 Shure SM57s

3.15.2006

this news is broken

The Boss Tweed shoot was tons o' fun and the footage is pretty decent given that all the stage lights seemed to get turned off for their set. I, personally, didn't do as good a job on the camera work as I did on my previous outing, but my friends Jeff and John more than capably backed me up on the other two cameras so I have plenty to work with. Thanks to Galapagos Art Space for letting us shoot there and to the sound guy, Josh Loar, for letting me plug in to the soundboard.

After the show I went to a party that my upstairs neighbors were throwing and we decided to have a Whole House Party, incorporating all three floors of the building, over the first weekend in June. It will be awesome, with a rock show in the basement and hopefully a succession of DJs spinning for about an hour apiece upstairs. More info as developments warrant.

And now to start cutting the Boss Tweed show. They need a couple of clips to help get a European Tour booked for this summer, so I've gotta get on that.

3.08.2006

well, you found him, counter-epithet

RIP Gordon Parks, photographer, filmmaker, novelist, poet, composer. Pioneer for black people in journalism, media and the entertainment industry. He died at 93.

3.06.2006

are you ready for some football?

Today was spent recording voiceover for 4th & Goal Films' 2006 Blue Chippers and Hidden Gems DVD preview of the 2006 NFL draft. Voice talent was Brian Baldinger, former offensive lineman for the Cowboys, Colts and Eagles and current football pundit for Fox Sports. Now I'm sure the following revelation will surprise none of you, but... I'm not a huge football fan. However! This process (which continues tomorrow) was quite entertaining. Over the course of editing almost all the footage for this DVD (which you should BUY NOW if you're a football fanatic) I have certainly gained a greater appreciation for football and I think I might actually understand and enjoy a game more. It was also a treat to hear a guy like Baldinger, an incredibly knowledgable expert in his field, hold forth on the players we were profiling and provide some anecdotes from his up-and-coming career as a commentator (the short version: John Madden is a jerk).

Relevant to last night's Oscars, congratulations to my ex-professor (if only for a few days before I dropped his class) John Canemaker for winning the Best Animated Short award. His film is called The Moon and the Son. Kudos also to Jon Stewart and the Daily Show writing staff for their excellent job on the most entertaining Oscars I've ever seen. Daily Show producer Glenn Clements is a friend of mine and I haven't gotten to speak to him about it yet, but if he was involved I say ROCK ON, GLENN.

I've finished a rough cut of the Mr. Brownstone show from NorthSix in December and, I'm happy to say, I've been contracted to shoot the upcoming performance of Boss Tweed at Galapagos (next door to NorthSix) on March 11. Boss Tweed is a great band and if you're in the area you should come out and see the show. I'll be covering the action with three cameras this time (with assistance from John Wiseman and an as-yet-unchosen third cameraperson) so I should have great material. I've wanted to make a concert film for Boss Tweed for a while now, so I'm pretty psyched.

Seize Them! practice over the past few weekends has yielded excellent results. Jeff completed his Herculean labor of culling through all our old DATs to find gems we could work into new songs and he found quite a few. So our catalog of material is poised to expand dramatically. It also seems we're covering Boston's "More Than A Feeling" which is totally frikkin' awesome and if you don't love the hell out of that song I dunno how you get any joy out of life at all.

It looks like ISOTA sticker printing will be delayed 'til May. But no later than May! I will require them for my June vacation to the Roots Music Festival in Amsterdam and the subsequent chillout in Reykjavik.
Th th th that's all.

2.23.2006

(nature noises)

On my nightly visit to the uptown N/R/Q/W subway platform I happened upon an interesting sight.

Those of you who frequent the Broadway line platforms at 34th St. might be aware of the art installation known as REACH New York, An Urban Musical Instrument. If you are unfamiliar with it, it's a bank of infrared light emitters and reflectors connected to a synthesizer and speakers all housed in a green metal case hung about an arms reach above the platform. If one blocks one of the many beams, various musical nature sounds like birds twittering or bamboo windchimes knocking together play from the speakers. There are two of them, one on the uptown platform and one on the downtown. People love this thing and it's rare that you spend any time waiting on the platform without hearing someone playing with it.

The uptown platform's installation has the largish box which houses all the controller equipment and I'd always envisioned some ancient Power Macintosh living in there serving all these sounds. Well, tonight I saw none other than (I assume) the artist himself, Christopher Janney, up on a ladder fiddling around inside the control box:
Christopher Janney?

The train in the picture pulling into the station was mine, so I didn't have time to talk to him. Visible inside the open box was some recent model of Powerbook, an audio amplifier, and an apparatus that I assume was the switch detecting the IR beam trips. Janney appeared to be either loading new sounds into the installation or perhaps just testing it out.

Anyway, that was neat.

2.18.2006

could you be loved?

I spent Friday night out on the town with my friend Cristian at a bar in Red Hook called The Hook. They were having a reggae night kicked off by a pretty good cover band from Jersey called Smoke and then the rest of the time was given over to Thrillamatic Sound System and King David High Five who DJed the shit out of some awesome old-school reggae tunes. No cover charge. I got there stupidly early by not noticing the start time on the flyer for which I was awarded a free beer by the highly accomodating bartenders. Cristian and I agreed that we felt very much like we were back in Amsterdam. I hope The Hook makes reggae night a regular thing because I will definitely be there.

me and my wisp

Cristian, by the way, would like to organize a shuffleboard tournament between himself and a chess Grandmaster to be played out in Iceland. Coming soon.

Also, my good friend René spent Sunday getting a Decepticon logo tattooed onto his left calf. Here's a photoset.

2.14.2006

eureka!

The Garageband export problem is solved!

Somebody (shout out to ronkurz at the Apple Support forums) has received an answer from a helpful Apple Store employee. Apparently all my problems have been caused by having forward slashes (/) in my filenames! For the non unix-types out there, the forward slash demarcates a filepath. When iTunes attempted to import the mixdown from Garageband it got all confused by the forward slashes and when 'HUH WHAT THE HUH NAH I'LL DISCARD THAT' and dissolved the file off into the ether.
Whaddya know. Exports work just fine now.

I feel kinda stupid. But hey! Who woulda thunk?

2.13.2006

snow business like your mom's business

The snow cancelled any official band-related activity this weekend, though I did take the bus out to NJ to René's house and I played him some of our recent recording. He's feeling, in my opinion, overly self-critical. I'm still very happy with how easily Bianca dropped right in and caught on to stuff. Turns out René didn't call Bianca this week to tell her we weren't practicing so I hope she's not aggrivated by that.

Second meeting of the Nameless Art Collective on Saturday, again in the DUMBO loft. We added Farid's ex-coworker Nicole to the mix and she brings a desire to produce which is one of our missing pieces. She also apparently spent some time shooting a documentary about a real-life "School of Rock" situation that she may be interested in me cutting. The NAC decided that for our next meeting, in two weeks, we would pick a project to move forward on, and also perhaps consider a name for ourselves.

I was struck with the desire tonight to "mash up", as they say, the glory that is/was Sifl & Olly with the other glory that is/was The Wu-Tang Clan's classic album Enter The Wu-Tang (36 Chambers). Two of the greatest expressions of their respective media in the '90s. I want to watch characters from Sifl & Olly perform the entire record.

2.09.2006

what the HELL, people?

Okay, this issue with Garageband failing to export to iTunes is becoming infuriating. The problem itself is infuriating enough, but there appears to be no known solution.

I've gone over (and posted to) the forums at Apple support, and every person who has had this issue has not had it resolved. The ones who've called up Apple Support directly have received nothing helpful from the list-readers on the other end of the phone who seem just as baffled as those of us having the problem, and nothing they've suggested to any of these people has helped. What the fuck is going on here?

This seems to me to be a fairly common problem given how many instances of it I've found out there on the interweb, but there is NO FIX? This is unbelieveable. You'd think Apple would be all over this.

Then again, I realize that Garageband is a $15 piece of software (if you happened to pay for iLife) and is essentially crippleware to entice you towards buying Logic (or Soundtrack Pro with the Final Cut Studio package, but AFAIK Soundtrack Pro does not allow multitrack recording...) but come on. It's stupid enough that the only way to export audio from Garageband is as either an AAC file (for "podcasting") or via iTunes. You SHOULD be able to export from Garageband as a .aiff to any destination you choose, but, again, I assume this is the crippleware factor. Failing that, it's unacceptable for iTunes export to break for unknown reasons and NOT BE FIXABLE.

I'm an Apple fan, but this is really chafing my hide.